This page is divided into six evenly sized, near-square panels, stacked in a 2×3 arrangement with a narrow margin between panels. Like the previous one, it applies ambiguous reading directions and branching text paths.

In the margins surrounding the top left panel are two openings to the page text, in plain handwriting. At top, "HOW DOES ONE", and at left, "(how do I)".
In the top left panel itself, in larger, narrow handwriting, the words "STUDY", "VISUALISE", "PROCESS", and "THINK" are arranged around a large X which works as a multilateral slash. The feet of the word "THINK" extend into the margin, or gutter, between this panel nd the one below. The word "PROCESS" extends across the vertical gutter into the top right panel.
That panel at top right has, in a heavier pen stroke and larger writing, the words
"CREATIVE
- MEDIA"

The bullet list started with the second line contiues into the middle right panel below:
"-STUDIES
-PROCESS(es)"
The parenthetical plural is placed in the righthand margin outside the panel borders.

A horizontal line divides the panel below the bullet points, creating an embedded box with the caption in plain handwriting "AS ERGODIC LITERATURE", with the footnote reference 1.
A near identical box, with the same caption and footnote reference, is placed at the top of the middle left panel. From the lower edge of the horisontal dividing line of the lefthand box, the feet of the word "THINK" are replicated, continuing that path from the top left panel.
Under that, the words "THROUGH/WITH" are written in plain handwriting. The slash is exaggerated to echo the linewidth and angle of the upward stroke of the X formation in the panel above

The footnote 1 begins in the bottom left panel. The handlettering here emulates serif style body text:
"The concept of cybertext focuses on the mechanical organization of the text, by positing the intricacies of the medium as an integral part of the literary exchange. However, it also centers attention ....A_ on the consumer, or user, of the text, as a more integrated figure ~ than even reader-response theorists would claim."
It continues in the bottom right panel, "The performance of their reader takes place all in his head, while the user of cybertext also performs in an extranoematic sense.[...] In ergodic literature, nontrivial effort is required to allow the reader to traverse the text.”

Another horizontal line forms a box in the lower part of the bottom right panel, citing the source: Aarseth, E. J. (1997). Cybertext: Perspectives on Ergodic Literature. The Johns Hopkins University Press.